Tin-glaze is still thought well of in Italy and Spain where it is made in large quantities, but the prejudice against it in Britain can't be attributed to the absence of any tradition here. In the 17th century we had many good tin-glaze potters and decorators. Josiah Wedgwood developed a white clay body that displaced tin-glazed tableware, but the main reason why studio pottery connoisseurs don't like it is because of the dominance in the post-war decades of rough stoneware. That cultural moment was complex because it was at the same time anti-modern in its regard for rural tradition and modernist in its preference for functionality and simple undecorated forms, and yet many of the stoneware potters - not least Hamada, Leach and Cardew - were superb decorators. Leach and Cardew both experimented in tin-glaze, but not for long and few collectors like it much.
16 December 2013
AUCTION RESULTS SHOW A PREFERENCE FOR BROWN POTTERY
Tin-glaze is still thought well of in Italy and Spain where it is made in large quantities, but the prejudice against it in Britain can't be attributed to the absence of any tradition here. In the 17th century we had many good tin-glaze potters and decorators. Josiah Wedgwood developed a white clay body that displaced tin-glazed tableware, but the main reason why studio pottery connoisseurs don't like it is because of the dominance in the post-war decades of rough stoneware. That cultural moment was complex because it was at the same time anti-modern in its regard for rural tradition and modernist in its preference for functionality and simple undecorated forms, and yet many of the stoneware potters - not least Hamada, Leach and Cardew - were superb decorators. Leach and Cardew both experimented in tin-glaze, but not for long and few collectors like it much.
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I'm not familiar with modern tin-glaze pottery, but we recently bought an unusual antique mid-18th century English piece - a white glazed jug with freely painted blue decoration, the form being almost identical to a Westerwald salt-glaze GR jug.
You mention Stait-Murray. Some of his pots are included in a very good exhibition in Leeds Art Gallery at the moment http://www.leeds.gov.uk/museumsandgalleries/Pages/leedsartgallery/Art-and-Life.aspx
Worth a look if it comes to a gallery near you.
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