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The curator at the Nantgarw Pottery museum in Wales demonstrates the use of the jolleying machine, 2006. A craft technique retained in industry or an industrial technique applied to craft? © Marshall Colman |
There was a good piece in
Ceramic Review a couple of years ago about tableware and studio pottery. It showed two pieces of pottery by David Leach, a little fluted bowl and the same shape with a handle and a saucer. The bowl cost four times as much as the cup and saucer. The cup is tableware, the bowl is art.
It's often said that tableware is dead. Few graduating ceramicists make tableware and many skilled makers have turned to art instead because they got tired of repetition throwing or couldn’t make a living from it. But how dead is tableware exactly?