tag:blogger.com,1999:blog-5239452518036952208.post6391764355959852088..comments2023-12-12T15:55:16.508+00:00Comments on HAND EYE FOOT BRAIN: FOUR FACES OF THE SAME POTMarshall Colmanhttp://www.blogger.com/profile/00293970978200882404noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5239452518036952208.post-19683722387641031642013-04-20T11:52:38.140+01:002013-04-20T11:52:38.140+01:00Your blog reminded me of how difficult I found at...Your blog reminded me of how difficult I found attempting Chinese brush painting - exhausting holding the brush while you work out exactly how and where to lay it on the paper. I admire the exuberance of the maiolica painters even though the surface is just as unforgiving. Why does a pot bring out this freedom? is it the movement taken from the wheel still remaining? enjoy some more arabesques. thanks. E Berrishttps://www.blogger.com/profile/15444426908291693984noreply@blogger.comtag:blogger.com,1999:blog-5239452518036952208.post-85848171939177098892013-04-17T02:10:19.444+01:002013-04-17T02:10:19.444+01:00Those are wonderful. I like the really dark blue c...Those are wonderful. I like the really dark blue contrasted by the white. I use a thick goat brush for hand brushing my glazes and a thin deer hair brush for thin lines of my stained slips applied to greenware, not sure about the thicker brushes I use for underglazes and colored slip, I must check to see. Linda Starrhttps://www.blogger.com/profile/04364078667554676592noreply@blogger.com