Art in Clay at Hatfield House. In the brief lull before returning to work, here's a few things that caught my eye from exhibitors who stood out from the traditional potters.
Vilas Silverton's Zen rogues (left, top) was featured on the show ticket. I liked them and I liked Vilas. He breaks the rules and he's an artist who happens to work in clay rather than a potter, sometimes like Richard Slee, whom some of his work (above) reminds me of.
Student work, unconstrained by the need to sell, is always interesting. From Cardiff, Sarah Statham did good things with tiles, with oblique, inconsequential images. Joanna Simmonds made faceted porcelain mountains (left, middle). Cardiff is one of the good ceramics departments that hasn't been closed. There was also innovative and cheeky work by students of Central Saint Martins: the pots with boobs were disapproved of. Central St Martins trains students to be industrial designers, but those who exhibited at Art in Clay wanted to be makers.
Independent schools have the resources to set up pottery studios that state schools don't, and Chris Sutherland, artist in residence at Bishop's Stortford College, brought an excellent group of A-level work, much of which is of degree standard.
Barry Stedman's ceramics become increasingly painterly with an assured use of colour (left, bottom), not always evident in ceramic art.